Campus de Emprendedores
El Campus de Emprendedores es un programa de formación de una semana de duración en el que participan entre 10 y 12 startups en fases iniciales, previamente seleccionadas por nuestra red de mentores.
La próxima edición tendrá lugar el mes de Mayo 2015 en Barcelona
El Campus posibilita a los proyectos seleccionados asesoría de los mentores de SeedRocket así como acceso a inversión privada de hasta 150.000€ y una estancia posterior de entre tres y seis meses en la aceleradora de Barcelona. Tras esta primera etapa de validación del modelo y producto en el mercado, las startups tienen la posibilidad de presentar en el Investors’ Day cuyo objetivo es cerrar una segunda ronda de financiación para seguir creciendo y dar el salto internacional.
Selección de proyectos:
Los meses previos a la realización del evento, todos los proyectos interesados deben rellenar el formulario de inscripción antes de la fecha límite indicada. Una vez cerrado el plazo de inscripción, el equipo de Seedrocket pasa a analizar todos los proyectos inscritos.
Entre las inscripciones recibidas, el equipo y los mentores seleccionan hasta 12 proyectos finalistas para participar en el evento.
Las startups seleccionadas, compartirán una semana de formación y trabajo con los mentores de SeedRocket, y tendrán la oportunidad de participar en diferentes sesiones formativas y talleres prácticos impartidos por los profesionales de referencia en el sector.
Finalizado el Campus, los emprendedores tienen la oportunidad de presentar sus proyectos ante el equipo del SeedRocket, los mentores, Business Angels y fondos de Capital Riesgo, que seleccionarán a los tres equipos ganadores que pasarán a la siguiente fase del programa.
Los tres mejores proyectos del Campus de Emprendedores recibirá una inversión directa por parte de los mentores, que puede ser de hasta 150.000€ acumuladamente.
Los proyectos ganadores y los invertidos (la mayoría de las veces coinciden, aunque podría darse el caso de que algún proyecto no-ganador también recibiera inversión) se trasladarán durante un mínimo de tres meses a la Aceleradora de Empresas de Seedrocket, unas instalaciones de más de 240 metros cuadrados en el Vivero de Empresas de Barcelona Activa, con el objetivo de acelerar el proyecto, poniendo en marcha y ejecutando el Plan de Acción elaborado en la fase anterior.
Durante este periodo, los emprendedores cuentan con el soporte del equipo SeedRocket y con la colaboración de los mentores, que les ayudarán a acelerar el desarrollo de su idea de negocio y a implementar su plan de acción.
El objetivo es conseguir el mayor crecimiento posible en el menor periodo de tiempo.
Los resultados obtenidos con los proyectos de anteriores ediciones que ya han concluido la fase de Aceleración, demuestran que este crecimiento exponencial es posible.
Por último, SeedRocket apoya a los proyectos que obtengan buenos resultados en la fase de aceleración para obtener más financiación. Estos proyectos, se presentarán a los SeedRocket Investors’ Days, a los que acuden tanto Business Angels o inversores privados como fondos de Capital Riesgo.
Requisitos para ser aceptado:
- El evento está abierto a emprendedores de todo el mundo.
- El proyecto tiene que tener como mínimo una beta o prototipo en funcionamiento, aunque no se descartará una muy buena idea aunque no haya sido desarrollada.
- En caso de ser seleccionado, el emprendedor debe dedicarse al proyecto al 100%.
- El proyecto se tiene que basar en las Nuevas Tecnologías.
- El proyecto no puede ser una simple copia de algo que exista. Las novedades, aunque sean extremas, siempre estarán bien vistas.
- Cualquier tipo de temática será aceptada excepto sexo, religión y política.
Información sobre nuestros anteriores Campus de Emprendedores:
A Washington based group, the Center for Global Development, issued a separate report Monday that ranked Canada 27th on the environment out of the world’s wealthiest 27 countries.
And a new national Environics Institute telephone poll in partnership with the David Suzuki Foundation suggests public confidence in government as the lead actor in addressing climate change has slumped considerably down six percentage points from the 59 per cent recorded a year ago.
The annual UN climate conference is in its second week of talks as negotiators in Warsaw move toward developing a post 2020 international climate change regime. The goal is to deliver a new model at the 2015 summit in Paris.
“Canada is taking a leadership role in international climate change efforts by focusing on delivering significant environmental and economic benefits for all Canadians,” Aglukkaq said in a government press release marking her departure for Warsaw.
“The government of Canada is committed to establishing a fair and effective climate change agreement that includes commitments by all major emitters.”
According to the latest annual report by the Climate Action Network Europe and Germanwatch, Canada is starting from the back of the pack.
“As in the previous year, Canada still shows no intention of moving forward with climate policy and therefore remains the worst performer of all industrialized countries,” states the report, released Monday in Warsaw.
The comparative report, which has been compiled annually by environmental activists since 2005, shows Canada at the bottom of the industrialized world in terms of emissions per capita, development of renewable energy and international climate policy.
However the report’s heavy weighting on policy direction will provide plenty of fuel for skeptics.
China, the subject of international attention this year over deadly air pollution, “improved its performance compared to the previous year and climbed up to rank 46,” said the study, despite China being the biggest emitter of CO2 on the planet.
China was actually 43rd among 58 countries ranked, but the group leaves the first three spots empty to reflect room for improvement from even the top ranked country, Denmark.
A chart in the study showed that China, with almost 19.5 per cent of the global population, was responsible for almost 23 per cent of global emissions. Canada, with 0.5 per cent of global population, emitted 1.6 per cent of global GHG emissions.
Last month, Environment Canada’s own analysis showed Canada slipped further away over the past year from meeting its 2020 greenhouse gas emissions targets.
Under the 2009 Copenhagen Accord, Prime Minister Stephen Harper committed to cutting emissions 17 per cent from 2005 levels by 2020. Canada is on pace to get only halfway there.
Even if long overdue government regulations on the oil and gas sector are imposed, Environment Canada does not foresee a scenario where the 2020 target will be met.
The highly polarized debate, in which the Canadian government claims “significant” environmental benefits while Canada gets trashed by international climate change activists, appears to have taken its toll on public opinion.
Environics surveyed 2,003 respondents between Oct. 1 17 this fall and found that belief in the science on climate change still isn’t back where it was in 2007 “when climate change was the hot new issue.”
Six in 10 respondents said they believe that climate change is real and caused by human activity, a marginal increase over 2012 in the annual poll, but still well back of the 65 per cent who said they believed in 2007.
The poll is considered accurate within 2.2 percentage points, 19 times out of 20.
And while government rather than voluntary actions by industry or consumer is still seen as the most significant component in tackling climate change, the percentage of respondents who believe government is essential to the fight is down to 53 per cent this year, from 59 per cent in 2012.Investing in Africa is a potential profitable investment, but many are unaware of this. Multinational companies and many businessmen are always blinded by the international media exposure of the continent. Most of this news conveys negative images like bloody civil wars and crippling poverty. They are deceitful. Investment ideas are turned down because of the fear brought by many conflicts. But if we are going to talk about business, the future in Africa is clear. Studies show that Africa has been heading to development in the recent years despite the Global Financial Crisis. Opportunities on different aspects are enormous. From communication, infrastructure, tourism, agriculture, etc.
“Africa’s profitability is one of the best kept secret in today’s world economy.” This is aline quoted by Kofi Annan, UN Secretary General. Companies in Africa have been gaining on their profit since 1990. The rate of return on foreign direct investment averaged 29 percent. More African countries tightened their policy environment. This step brought more foreign investors because of the improvement on economic stability and growth and much more liberal conditions. In 1997, 26 countries showed an appraising relatively liberal regime for the repatriation of dividends and capital. This report also indicates that policies on foreign investment are now similar to those of the developing countries. Numerous investment promotion agencies were set up on the whole continent to promote Africa’s resources as an opportunity to for businesses.
From the UNCTAD or United Nation Conference on Trade and Development, a study was released stating that between 1983 to 1997, Africa based US companies grew by 10 percent. British direct investment net income in sub Saharan Africa, with some parts of Nigeria increased by 60 percent between 189 to 1995. Same thing happened to Japanese affiliates in 1990. Trade between Africa and China has grown an average of 30% since 1999, topping $106 billion dollar last year
In the past decade, foreign investments have been increasing significantly. Before, there were more investment on oil, mineral and diamonds, but it is now changing. Services and manufacturing is now making a name, even in top oil exporting countries like Nigeria. Now, more than 25 sub Saharan governments are in the process of privatizing all or most of their telecommunication sectors to attract more foreign investors.
The future of any business investment in Africa is now more probable and possible. Despite its previous worse status, the UN and the whole continent is committed for a bigger transformation. Africa’s neediness for help is the gateway for more investments and later on, continent’s economical development. It is inarguable that Africa is a continent of commodities with its forests, oil fields and mines. The demand is found and abundant on the darker part of the world.I believe grrrls and women should have adventures. And we should have the opportunity to experience the adventures of other grrrls and women through books, film, music and visual arts.
Too many times we have read books and watched films about a man or boy having an adventure while a woman sits at home and waits for him. In movies like Legends of the Fall, the male protagonist (in this case Tristan, played by Brad Pitt) travels the world having adventures and sex in opium dens while his true love sits at home on hisfront porch and waits for his return.
In books like Paul Coehlo’s The Alchemist, the spiritually seeking man (in this case, the protagonist Santiago) goes on an odyssey while his true love, the woman in the desert, stays in the desert unmoving, unchanging until Santiago’s return.
Which brings us to the word “odyssey” itself, a word derived from the name of the adventurous Odysseus who went to war and traveled the world for twenty years, while his wife Penelope stayed at home.
And even in contemporary books with female protagonists written by women, the big choice for the young woman often remains as uninteresting as “Should I chose the werewolf or the vampire to be my boyfriend?”
We as women and girls can’t just demand more interesting and engaging female characters. We have waited too long already. And there’s no guarantee the male dominated film industry or the imploding as we speak publishing or music industries will listen. We have to write the books and if necessary publish them ourselves. We must write the scripts and storm Hollywood with them and if necessary make the movies ourselves. We must write the albums and if necessary record them ourselves. We must paint the paintings and if necessary show them ourselves.
We will no longer stand for stories that offer no more than the woman who waits on the front porch or in the desert, who plays the auxiliary wife of the man of action. We will no longer compliantly consume such art; we will, at the very least, take notice of the messages such art contains.
Statistics about women in artistic industries are daunting.
Only 17% of producers of major motion pictures are women. Only 4% of directors of major motion pictures are women.
In the Museum of Modern Art (MOMA) in New York City, only 3.5% of the works of art on display are by female artists.
The publishing industry seems anomalous in this regard. Female editors and agents dominate the publishing industry. And most book buyers, book group members, and literary bloggers are women. And yet, to quote Lakshmi Chaudry “the gods of the literary .
Does this mean women aren’t writing as well as men? Hardly. But it does mean their work does not receive the awards and acclaim more often bestowed upon their male counterparts.
Female fronted rock bands and female hip hop artists are still notable for their gender because rock and hip hop are also still male dominated art forms.
These statistics and realities are daunting. But we will not spend too much time bitching about them; we will not become paralyzed by our complaints. We will instead notice them, pay attention to them; we will use our anger about them to drive dynamic and positive change. We will make that change ourselves.
We don’t ask permission (or at least not for long). We write the stories, the songs, the films. We paint the paintings. We record or publish or film them ourselves if need be. We throw our own art openings. We open our own gallery spaces.
Like Ani Difranco, we start our own record label, Righteous Babe Records, and sell our music out of the trunk of our car until our records and our label take off. And we will go on to write, record and release more than 20 albums on our own label, maintaining our artistic freedom even as we garner attention and acclaim.
Like Kathleen Hannah (former lead singer of Bikini Kill) we start the underground punk rock Riot Grrrl movement even though “punk rock is for and by boys.” We express our collective anger and joy loudly, for all the grrrls too afraid to do so themselves.
Like Nicki Minaj, we quit our 9 5 office job despite the disappointment it causes our mother to work on our lyrics full time and push our career as a hip hop artist. And we write songs that say:
In this very moment I’m king/In this very moment I slayed Goliath with a sling. I wish that I could have this moment 4 life/4 life, 4 life/’Cause in this moment, I just feel so alive/alive, alive
Like Amanda Hocking, we publish our own books and make them available on our blog until the sheer buying power of our fan base drives the publishing industry to us.
Like Shauna Cross, we become a roller girl and then we write a novel about it called Derby Girl and then we write the screenplay adaptation of the novel, which becomes Whip It, the first movie directed by Drew Barrymore, a female actor brave enough to take the reins and make her own film.
The internet and social networking have brought down the barriers that once existed between art and audience; they have rendered the gatekeepers much less relevant than they have ever been before. And so we create our work and we take responsibility for putting it out into the world so that our audience can find it.
But most of all we keep having adventures ourselves.
We don’t ask for permission to be granted by our fathers, our mothers, our lovers, our brothers, our husbands, our wives, our bosses, or friends. Or even from our sisters, who sometimes worry and so might like to have us sequestered from harm.
We go out into the world and live. We run through rain forests at night and swim in oceans and kayak and when we run out of money, we take the ferry from Seattle to Alaska where we wait tables at the Princess Hotel and ride our mountain bikes under the midnight sun. We busk on the streets in Bosnia. We work as cops in Palmer Lake, Colorado. We teach a boy to read or a girl to play the guitar. We give birth to or adopt a child. We take a call on the National Domestic Violence Hotline. We go to physical therapy school. We support the art other women make; we buy extra copies of books and albums we love; we give them to our friends as gifts.
And then we use our adventures to fuel our art and we share our art with others, to show them the way, to let them know that they are not alone. And so women and girls can see that with or without permission our art and our lives will flourish. Our art and our lives will not be stifled by the music or publishing or film industries or by gallery owners or well meaning loved ones.